Dr Lila Moore’s essay on the theories, pedagogical philosophy, and artistic projects of Roy Ascott, co-written with Edward Shanken, is published in The Bloomsbury Encyclopedia of New Media Art: Volume 1 – History and Theory.

This audio-visual experiential lecture explores how mythical goddesses and female demons—such as Isis, Gaia, Binah, Lilith, Medusa, Erzulie and Hecate—function metaphorically and aesthetically as 'mothers' of artistic dance and film forms.

March 2025 marks a decade since this work began, culminating in its ninth year with the creation of The 9th Altar.

The 9th Altar in the Serpentine Field – Art Film & Immersive Installation World Premiere at Inhabiting Esoteric Ecologies

I am thrilled to be participating in Conjuring Creativity III: Inhabiting Esoteric Ecologies as both an artist-filmmaker and scholar.

 I invite you to reclaim your time in 2025—the time that belongs to your Self, your ensouled time. Join this transformative course.

Open Call, Join The Infinite Self Pavilion/The Wrong Biennale, curated by Dr. Lila Moore. We invite artworks that integrate AI aesthetics.

Dr. Lila Moore discusses Art, Spirituality, and Manifestation, accompanied by visuals and sounds from her immersive installation and screend

I never lost them, and it was easy for me after that to reconstruct the forgotten life and see it all about me, moving in the ancient ways.

The 9th Altar in the Serpentine Field is now ready for immersive installations. For inquiries, please contact Dr. Lila Moore.

The Vision Archive is an ongoing documentation process of artworks and writings by Dr. Lila Moore

The roundtable, a part of the Alef Trust Creative Bridges Conference at Oxford University, on Friday, 6th September 2024, was initiated...

The exhibition displays artworks in various mediums and art films that invite the audience to explore and reflect.