Infinite Self Pavilion of the Wrong Biennale 2025-26 by Artist/Curator Dr Lila Moore P art of The Wrong Biennale 2025–26 ,this pavilion invites seekers to explore the evolving nature of the Self and its relationship with AI. Drawing on the ancient call to “Know Thyself,”  it evokes timeless yet timely quests of identity, gender, techno-spirituality,  apparitional and transpersonal, ever-expanding forms of art and collective selfhood. The Infinite Self Pavilion begins to awake

This work engages with Damien Davis’s recent article in Hyperallergic and challenges the structural limits placed on artists by the “emerging” category.

MY KA is inspired by the theme of the double and Maya Deren’s poem Death by Amnesia (1942). Yet she emerges from the earliest strata of my work—footage and visions that remained unfinished, veiled by the adversities and ordeals that haunt the path of artists. Only now, through this reawakening, does her form complete itself.

Dr Lila Moore’s essay on the theories, pedagogical philosophy, and artistic projects of Roy Ascott, co-written with Edward Shanken, is published in The Bloomsbury Encyclopedia of New Media Art: Volume 1 – History and Theory.

This audio-visual experiential lecture explores how mythical goddesses and female demons—such as Isis, Gaia, Binah, Lilith, Medusa, Erzulie and Hecate—function metaphorically and aesthetically as 'mothers' of artistic dance and film forms.

March 2025 marks a decade since this work began, culminating in its ninth year with the creation of The 9th Altar.

The 9th Altar in the Serpentine Field – Art Film & Immersive Installation World Premiere at Inhabiting Esoteric Ecologies

I am thrilled to be participating in Conjuring Creativity III: Inhabiting Esoteric Ecologies as both an artist-filmmaker and scholar.

 I invite you to reclaim your time in 2025—the time that belongs to your Self, your ensouled time. Join this transformative course.

Open Call, Join The Infinite Self Pavilion/The Wrong Biennale, curated by Dr. Lila Moore. We invite artworks that integrate AI aesthetics.

Dr. Lila Moore discusses Art, Spirituality, and Manifestation, accompanied by visuals and sounds from her immersive installation and screend

I never lost them, and it was easy for me after that to reconstruct the forgotten life and see it all about me, moving in the ancient ways.

The 9th Altar in the Serpentine Field is now ready for immersive installations. For inquiries, please contact Dr. Lila Moore.