The article “Know Thy Other: Dialogic Encounter and the Presence of Self and Other in Technoetic and AI-Mediated New Media Art” is an original piece of art-historical and theoretical research. It brings together art philosophy, art history, contemporary art criticism, and new media in a way that is both ambitious and timely.

Cybernetic Futures Institute – Letter of Letters Manifesto. Presented on World Creativity and Innovation Day 2026.

Traps – The Prisoner and the Spirit (1989) 16mm film Revisited A ritual of matter and spirit, articulated through the material language of 16mm film. A woman manifests the spirit. A man is held within the net—caught between worlds. The fish is found. The table is shared. A threshold opens— the prisoner glimpses the metaphysical. The spirit ascends.

Infinite Self Catalogue I am pleased to share with you the catalogue of the Infinite Self Pavilion , presented as part of The Wrong Biennale 2025–2026 . The publication includes the curatorial essay and presents the artworks and statements of the participating artists whose contributions shape the pavilion’s exploration of the evolving relationship between the Self and artificial intelligence. Infinite Self Pavilion Download the Catalogue

Dedicated to all women whose lives were impacted by the atrocities of wars. International Women’s Day 2026 A young woman lies on the broken fragments of ruins

The meditations offered in the book Imaginal Embodiment Body and Psyche guide awareness toward the body as a site of imaginal experience, fostering grounding, wholeness, and a sense of safety within one’s own being. Through imaginal engagement and subtle bodily attunement, a shift from mental strain and disembodiment toward a calmer, integrated body–psyche relation may unfold—often within a short time.

Infinite Self pavilion invites seekers to explore the evolving nature of the Self and its relationship with AI.

This work engages with Damien Davis’s recent article in Hyperallergic and challenges the structural limits placed on artists by the “emerging” category.

MY KA is inspired by the theme of the double and Maya Deren’s poem Death by Amnesia (1942). Yet she emerges from the earliest strata of my work—footage and visions that remained unfinished, veiled by the adversities and ordeals that haunt the path of artists. Only now, through this reawakening, does her form complete itself.

Dr Lila Moore’s essay on the theories, pedagogical philosophy, and artistic projects of Roy Ascott, co-written with Edward Shanken, is published in The Bloomsbury Encyclopedia of New Media Art: Volume 1 – History and Theory.

This audio-visual experiential lecture explores how mythical goddesses and female demons—such as Isis, Gaia, Binah, Lilith, Medusa, Erzulie and Hecate—function metaphorically and aesthetically as 'mothers' of artistic dance and film forms.

March 2025 marks a decade since this work began, culminating in its ninth year with the creation of The 9th Altar.

The 9th Altar in the Serpentine Field – Art Film & Immersive Installation World Premiere at Inhabiting Esoteric Ecologies